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Van Briggle: Hues of Green and Blue

December 1, 2011 By Leave a Comment

Each art pottery line includes a “favorite” of any collector. There’s no shortage of Van Briggle fans who appreciate the magical hues, especially the blues and greens, found in many of this pottery company’s lines.

Van Briggle Color Plates

Those who have mastered the glaze colors, especially in the Van Briggle collections, certainly know the distinctions behind every single one of those glazes. These glaze colors not only identify the various pieces, but also gives some clue as to any piece’s value. This is especially important in those pieces where the markings no longer exist and therefore can’t tell the history of a piece.
Many Van Briggle Pottery pieces are labeled in groups: “Plate 174” or “Plate 183”. Within these groups are the pieces. The blues and greens are striking- and that’s an understatement!

Plate 187 and Plate 184

I’ve paired these two because of the very distinct differences. Within Plate 184, you’ll discover very light hues of blue or green (some say blue, others insist they’re very light variations of green). The pieces were made in the early 1900s, around 1905-1906. They’re most often marked with “VB” for Van Briggle, along with “stp” for “stamped”.
The Plate 187 collection has much darker shades of blue. When you put any of the pieces of the two collections together, it’s almost magical. It truly is a remarkable contrast. These pieces will have similar markings, including the “VB” and “stp”. The one difference might be these pieces will have “CS” for Colorado Springs.

Plate 203

This collection of vases have a nice combination of various shads of blues and greens. The vases will often have several shades that begin in a really light blue around the neck of the vase and get darker closer to the base or vice versa. They will often incorporate the “VB”, the number associated with the vase and the “stp”.

Plate 207

I wanted to include this collection because of a specific bowl. If you’ll notice in the photo, the
outside of the bowl is a nice almost “sea foam” green while the bowl itself is a pretty sky blue. They contrast beautifully and the absence of any etchings or other decorative elements lends to its character. It’s the simplicity that defines it.
These are just a few of the many Van Briggle pottery pieces you’ll discover in the hlue and green glaze lines. If you’re a Van Briggle collector, you surely know how remarkable the presentations are. If you’re new to Van Briggle, you’re in for a treat as you discover those hues. A good place to start your research efforts is by exploring the very detailed information in the Collector’s Encyclopedia of Van Briggle Art Pottery: An Identification and Value Guide. It’s chock full of information on everything you need to know about this revered line of American art pottery.

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Rookwood Pottery: Standard Glaze

September 30, 2011 By Leave a Comment

If you’re looking for a great way to break into the Rookwood Pottery sector, you might want to consider the Standard Glaze ware line.

It’s not hard to find a Rookwood Pottery line that’s elegant, with depth and extremely detailed. The Standard Glaze (also known as the Brown Glaze) line is a perfect example of what embodies the collective Rookwood Pottery brand. It’s recognized most often by the “Standard Brown” glaze that gives off rich, deep orange hues and various shades of brown that meld together flawlessly. You might also notice deep green hues, too. The colors are indicated in the shading efforts that go from darker to lighter, usually from the top down. It’s often described with adjectives such as “hard”, “clear” and “fine” and all are perfectly true.

The line itself is predominantly decorated with floral and/or leaf patterns, including dogwood blossoms. Also, there are a precious few that had portraits of important people of the times, animals, Native Americans and believe it or not, ghosts were sometimes used, which surely added quite the dramatic tone, especially considering the time period.

Speaking of dramatic tones, there were very interesting shape elements, too. The Two-Handled Chalice Vase, included in the 1895 line, is aptly named. The matching dual handles, circular and narrow, only added to the beauty of the design as a whole. They’re almost always marked with the artist’s name, the year it was produced, the type of clay and glaze used as well as the size marking.

You’ll find candlesticks, smaller cabinet vases, floor vases, tea sets and even umbrella stands in the Standard Glaze. Considered quite affordable, it’s a great investment for those who collect Rookwood Pottery.

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Roseville Della Robbia: Unlike Anything Else

September 25, 2011 By Leave a Comment

The Roseville Pottery Della Robbia line was described as “unlike anything else” in the 1906 Roseville catalog. The textures and sgrafitto decorative inclusions define this beautiful line.

The Roseville Della Robbia really stood out the moment it was introduced around the turn of the century. The textures, courtesy of hand incised designs placed on the shapes, which had been slip cast at least two times, set it apart from all other Roseville offerings. Frederick Hurten Rhead described the process involved with this very detailed group:

I had produced some interesting sgrafitto process decorations…the problem involved casting in two colored slips with an incised and carved design…it demanded extreme care and neatness… and the ware had to be handled very tenderly.

Rhead’s biggest problem was ensuring his beloved Della Robbia line wouldn’t be too expensive to mass produce, especially considering the Roseville Pottery decorators “were highly paid as wages go in the art potteries”. Before long, Rhead figured out a way to outsource the work – and this was long before “outsourcing” became a modern catchphrase. Instead of the high wages to the decorators, he instead brought in high school girls who showed promise in their art classes. After extensive training, Rhead was confident these young girls had mastered the process. “I had a working force of ten girls…at the end of two months could execute any of the illustrated pieces”.

Of course, what we’re left with is the beautiful hand decorated Roseville Della Robbia, complete with its textures and dimensions – all because one artist’s determination to bring it to the public. One final note regarding the art pottery line’s history: many of the high school girls who worked on these pieces were hired immediately following their high school graduation.

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The Unusual Weller Muskota Art Pottery

September 23, 2011 By Leave a Comment

The Weller Muskota line of art pottery offers an unexpected presence, partly due to its large and varied offerings and partly because of its many themes.

Production on the Weller Muskota line began in mid-1915 and while there was no definitive theme or direction the artists chose, it still stands out as one of the more interesting Weller pottery lines. There were many glazes, color schemes and subjects that are covered, including animals, children and even the occasional abstract.

There are ribbons of several other Weller lines that appear to have served as inspiration. The Weller Brighton line, which also was introduced in 1915, might have inspired a few of the swans and flower frogs while the Copra, known for its lovely florals, very well could have lent to the line a more feminine touch.

It’s true this line doesn’t have the dramatic iridescent finish like the Weller Sicard, which is absolutely stunning, nor does it have the stunning high glossy finish found on the Weller Etna, but there’s no denying the eclectic appeal that draws new fans all the time.

There’s a whimsical double bud vase with two cats resting on the fence that links the vases. It’s an unusual choice, but the originality is part of its appeal. Also, there are several flower frogs, too. From a green-hued mushroom, complete with a fly resting on top to a muted red lobster flower frog, it could be said the charm is found in the unexpected. You’ll discover a figurine with a boy who’s fishing, a nude figure that rests against rocks, a pair of sweet chicks and no shortage of birds and cats.

If you’re a Weller Pottery fan, you already know the pull this line has and if you’re new to this particular American art pottery, be sure to explore the Weller Muskota line.

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Roseville Pottery Della Robbia

September 14, 2011 By Leave a Comment

Roseville Pottery, to many, is known by its more popular lines, such as Roseville Pine Cone or even the beautiful Roseville Zephyr Lily. There were many lines this pottery company released, including the lesser-known, though stunning, Roseville Della Robbia.

Della Robbia is perhaps one of the most striking lines of Roseville Pottery. It’s an early line, released in 1906 and is often known as Rozane Della Robbia. It’s interesting that there are a few very unique and specific lines that are associated with Roseville, but the truth is, this pottery company had more than 110 lines, and some of the more beautiful collections are too often overlooked. One of those collections is, of course, Roseville Pottery Della Robbia.

Textures, Glazes and Colors

Perhaps it’s the expense associated with owning any of these pieces. They began as Rozane Royal or sometimes even Roseville Cremo shapes, only to be laid aside and picked back up again with a new focus. That new focus includes wonderful textures and distinctive glazes and color combinations. More importantly, each piece was carved, detailed and colored by hand. Once you see the detailing, you begin to understand the love that surely went into each vase, ewer or fern dish.

Other Decorative Elements

It’s really quite a versatile line, too. Unlike other lines, such as the Roseville Sunflower line that has a very specific color combination and decorative elements, the Della Robbia offers up different color combinations and patterns. One Della Robbia may include abstracts and scallops while another piece has a more feminine floral design. There’s one particular vase that has clear Japanese influences. This is only part of what makes this such a special collection.

Della Robbia Shape Numbers

There were 23 shape numbers associated with The Roseville Della Robbia and you’re as apt to discover a vase with carved penguins and trees as you are hand carved and very detailed flower petals. It’s truly one of the more sophisticated lines and frankly, that attention to detail that defines Roseville Pottery was never more evident.

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Rookwood Pottery Flowing Glaze

September 8, 2011 By Leave a Comment

“Translucent” is one adjective used to describe the Rookwood Pottery Flowing Glaze finish. It’s rich, glossy and doesn’t overwhelm the piece. It incorporated many colors and while they were allowed to flow together (hence, “Flowing Glaze”), one color never overwhelmed the other – they co-existed in glorious and beautiful harmony.

Interestingly enough, there were those pieces where the glazes covered the hand painted images in their entirety, though the end result was always worth the sacrifice. This particular Rookwood Pottery glaze was used “officially” between 1897 and 1901 though some historians believe it could have been used as late as 1904. This reasoning comes from the showing of the glaze line during the 1904 Louisiana Purchase Exposition, which was held in St. Louis.

One reason many collectors appreciate lines such as this is because there is virtually no way to duplicate a previous effort. Each is its own unique masterpiece. Another reason is because of the short time duration it was used. It’s been suggested it was influenced by Asian trends, which sounds reasonable. There’s no denying the dramatic effects and the glossy look only adds to the depth.

Another lovely Rookwood Pottery glaze is found in the Pink Tinted glaze line. A bit more feminine, and absolutely stunning, the pinks and even deep plums certainly hold their own next to the Flowing Glaze. Regardless of which of the glaze lines you’re drawn to, it’s not until you hold it in your hands and see the detailing and artistry that no photo can ever do justice to. The textures, the way they easily meld together – it’s truly an experience.

Be sure to visit the Just Art Pottery Rookwood Pottery page for more of these beautiful glaze lines. If you’re new to Rookwood Pottery, it’s certainly going to become one of your favorites due to its versatility and flowing elements. Also, check our new arrivals page too. This is where you’ll find those recently added Rookwood pieces.

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Roseville Pottery: Center Pieces

August 30, 2011 By Leave a Comment

One of the most enjoyable aspects of owning American art pottery is the ability to define an entire room around a single collection. This week, we take a look at a few of the Roseville Pottery center pieces.

Roseville Pottery is one of the most collected art pottery names in the world. The many patterns and shapes make it a wonderful choice for so many. While some folks like the idea of treating their pottery collections as investments only, there are many of us who can’t imagine not having our collections front and center. One way of doing that is by creating showcases.

Roseville Pottery Pine Cone

There were several Roseville Pottery center pieces made, including a beautiful and vibrant blue centerpiece that commands attention from the Roseville Pottery Pine Cone collection. It’s a grand presentation without being overwhelmed and part of what defines it is the way the colors play off one another. The pine cone in the center of the design pulls together the blue base with the auburn hued interior glaze. You can be sure those who are fortunate enough to own these centerpieces use them at the most special family gatherings. In fact, some hostesses coordinate their entire table around this blue beauty. With blue dinnerware and brown linens, it really is a great way to present an elegant meal.

Roseville Pottery Dawn

Another favorite in the Roseville family is found in the Roseville Pottery Dawn collection. There is a soft pink centerpiece that’s round in shape with a square base and two candleholders on either side. It’s accented with lighter blues and a splash of pale yellow serving as the flower’s center. Think afternoon tea with the ladies and you’ll have an idea of just how lovely and stated this centerpiece is. It was also made with a yellow glaze, too.

Roseville Pottery Crystalis

Feeling especially creative? Why not take a few of your favorite Roseville Pottery pieces and combine them to define your own eclectic look? For a more contemporary look, take a few of your Roseville Pottery Crystalis vases and group them together. What makes this so interesting is the different muted shades, textures and varying heights of the vases in this particular collection. Even the glazes can add a certain contrast that will play a pivotal role in the final outcome. The point is to make it your own. From there, the rest of your table’s presentation should fall into place, whether you choose matching linens and plates or you choose to let your imagination rule the direction. The holidays are coming up – you just might be surprised to learn you already have this year’s center piece for Thanksgiving and Christmas.

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Just Art Pottery New Arrivals: Brush McCoy, Owens Pottery

August 27, 2011 By Leave a Comment

Just Art Pottery has many new arrivals and if you haven’t checked out our New Arrivals Page, you’re in for a treat, especially if you’re a fan of Brush McCoy Pottery or Owens Pottery.

Owens Pottery

Owens Pottery is still operated by the family of M.L. Owens, who started the pottery company in 1895. It remains the oldest pottery in North Carolina and as anyone who collects this eclectic line can tell you, the quality and pride is still evident in the more contemporary pieces as it is in the older selections.

The Owens Pottery Utopian Vase, numbered 805 and shown here, includes a lovely high gloss that accents the blueberries and leave design efforts. They’re accented by gold and green in the leaves and shades of darker and lighter blues in the berries. It’s in mint condition with a small area of glaze miss on its base edge. There is no damage of any kind on this beautiful and unique shape. The wider base gracefully narrows to a small neck and it measures 5 inches in height and is 4 inches at its widest. It really is a remarkable addition to any Owens Pottery collection.

For those who like to collect the softer, more muted glosses will find much to appreciate in the Owens Pottery Matte Green Handled Vase. With dual handles on either side and beveled carvings for texture and dimension, this too makes a great addition to your American art pottery collection. It’s in factory original condition and measures 6 inches in height and is 4 3/4 inches wide.

Keep in mind, this particular line of art pottery differs from the J.B. Owens Pottery, who initially worked for Roseville Pottery. The Utopian line, which many equate with J.B. Owens, was begun in 1896. There were several setbacks, including two fires and of course, the Depression, which prevented this particular line of American art pottery from really come full circle. Still, it remains part of the art pottery sector that man remain loyal to – and for good reason.

Brush-McCoy Pottery

The “Brush” in Brush-McCoy comes from George Brush, who was the general manager of the McCoy Pottery Company in the early 1900s. In 1911, the pottery company changed its name to Brush-McCoy Pottery Company. What many don’t know is that following the death of J.W. McCoy, the name was changed once again in the mid-1920s to Brush Pottery Company.

The Brush McCoy Amaryllis Vase is a glorious combination of blues, browns and golds and is presented with a high gloss finish, which really completes the look. It’s elegant and sophisticated, which seems to be a new trend in American art pottery these days. This vase measures 4 1/4 inches tall and 2 3/4 inches wide. Currently, Just Art Pottery has two of these vases for those who are interested in owning a pair. It’s a strong investment and one that’s sure to add to the look of any room in your home.

These are just a few of the new arrivals we’re currently offering. If you’re looking for something specific, be sure to drop us a line and as always, if you have stories or photos you’d like to share, we love to see those too.

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Roseville Olympic Pottery Line

July 28, 2011 By Leave a Comment

The Roseville Olympic art pottery line was introduced in 1906 as one of the final additions to the Roseville Rozane line. Many have said the line in its entirety was inspired by Wedgwood designer John Flaxman. Others point out that the line is reminiscent of Homer’s Iliad and another Greek text, Works and Days. Regardless of where the inspiration came from, there is no denying the deep color combinations, with a rich brownish red serving as the foundation and ivory, black and subtle gold coming together to define the contrasting and adding depth to this well-loved Roseville Pottery favorite.

While this collection is certainly not whimsical or casual as say, Roseville Sunflower or Roseville Vista, it most certainly is dramatic and very detailed. In fact, the Roseville Olympic 11″ vase offers very precise detailing with painstaking perfection. The black handles add a rich contrast while the beveled rim and base are completed with those small details that define remarkable art pottery. The high gloss adds yet one more level of elegance.

The designs were explained by one historian, D.F. Haynes, in the late 1800s and read, in part:

The design is engraved on a copper plate, mineral colors…stand firing are mixed with a specially prepared oil and a print is taken from the plate on a sheet of tissue paper…laid in proper position and rubbed with a flannel until it adheres. Tints are sometimes used by covering the piece with a thin coat of oil, which the color is applied thereafter followed by a fine powder dusting.

There are definitive Greek tell-tale signs, but honestly, at first glance, one who is not familiar with this art pottery line might initially believe it’s more Asian inspired. Only until you notice the detailing do you realize it’s very much Greek oriented. It’s little wonder this remains one of the more popular Roseville Art Pottery lines.

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“I Can Smell What Color It Is” – Weller Art Pottery

July 22, 2011 By Leave a Comment

Most of us know our jobs quite well. With so much time spent on career choices, it’s likely you believe you can do some part of your job with your eyes closed; you’re just that familiar with it. That was often the case with some of the most respected potters responsible for creating those incredible American art pottery lines over the years. One Weller Pottery artist, Art Wagner, knew the Weller Lamar pottery line so well that he once said, “I’ve been using these lusters for such a long time that I can tell by smell what color it is without looking at the label on the bottle.” That’s a true testament to the level of commitment that not only Art Wagner felt, but artists and potters throughout the industry as a whole. This week, we take a look at two of the Weller Art Pottery lines and showcase their distinct nuances and attention to detail.

Weller Pottery Burnt Wood Line

This line of Weller pottery presents just the way the name implies: burnt wood. This middle period line is still one of the most sought after collections in the art pottery world. The tan coloring and dark brown banding, usually found along the top and bottom of each, uses smart shadowing efforts that adds dimension to the finished product. The etching efforts are subtle, though consistent, and the result is a very intricate and eye catching effort. The fact that there exists varying hues of browns and tans makes this entire line quite versatile. Several pieces grouped together makes an interesting and rich showcase and incorporating just a bit of color, maybe from the Weller Floretta line, or any other Weller pottery, links the rich design elements seamlessly.

Weller Pottery Chase Line

If the Burnt Wood is all about detailing efforts and confident etching, the Weller Chase line is focused on those subtle matte finishes and slightly raised designs versus those carvings found in Burnt Wood. Also, where you’re likely to discover several shades in not only Burnt Wood, but other Weller Pottery lines, Chase is more about simple though distinctive color combinations that come together to define truly elegant and eye-pleasing results. This middle period collection embodies fox hunters and dogs and while the navy blue is the dominating background color, there were others used in tandem with the ivory detailing.

These are just two of the Weller Pottery lines. Many collectors have long since appreciated the eclectic combination that defines this American art pottery, which might explain its increasing rarity. Still, if you can locate it, odds are, it’s going to be a wonderful investment and a beautiful addition to any collection. Take a look at the Just Art Pottery Weller Pottery page and see for yourself just how incredible the entire collection is.

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