Roseville Falline

The Roseville Falline line is one of the smallest collections in Roseville Pottery, with just 16 roseville fallinepieces. Considered a middle period Art Deco line, it was introduced in 1933. Many collectors use the word “elegant” to describe this line – and rightfully so. Frank Ferrell was the primary designer and the Falline line (“Fay Leen”), is easily identified because of the pea pods that adorn the various pieces. They run vertically, each with handles on both sides. There were two color patterns, those with various browns and greens and the more popular blue/green/yellow combinations.

The Art of Roseville Falline

The artistic efforts, even though they were pea pods, are quite beautiful.

Many of the pieces are darker or of different colors the closer to the top you get. It adds a certain dimension and because it’s unlike most other art pottery pieces of that era, it’s likely one reason people describe it as elegant and sophisticated.

Sometimes artists attempt to present a simple effort. They want the color combinations or perhaps the quality of the product to shine through. It’s not known, of course, if this was Ferrell’s purpose, regardless, it quickly became – and remains so today – one of the most loved Roseville Pottery lines.

Middle Period

Remember, this line was introduced in 1933, the same year Baneda, with its stunning shapes and hues, Blackberry, known for the nature motif of leaves and berries and Primrose, the lighter more feminine offering of the day, made their debuts. These middle period collections reveal the best of Roseville Pottery and its artists.

With just 16 items in this collection, mostly bowls, candlesticks and pitchers of varying sizes, it’s one of those highly sought after patterns.

If you collect Falline, you likely know how rare it is to find. It’s an art pottery collector’s dream.

What Sets Roseville Earlam Apart

For avid Roseville Pottery collectors, it’s near impossible to discuss the logistics behind the beauty in the Earlam line without mentioning Frank Ferrell. He was, after all, the creative force behind many Roseville lines – including Earlam. Part of our ongoing appreciation for this particular line isn’t so much what it offers, but rather, what it doesn’t offer.

Unlike many – if not most – of Roseville’s patterns, Ferrell opted to not include florals or the geometric shapes that were trendy at the time. Instead, you’ll find softer lines, plenty of curves and bulbous centers. Many of the pots and vases also had tell-tale handles on either side that collectors are always searching for, even today.  The Earlam shapes are limited, especially when compared to some of the other Roseville pottery lines. It has just 22 shapes and most are vases, bowls and pots. While there are none with floral decorative elements, there are a few strawberry and crocus pots, which add further distinction.

For those who appreciate the more muted glazes, Earlam is for you. The efforts made to ensure each piece was unlike any other, in sort of an “imperfectly perfect” way, were subtle. The rims also offer an interesting dimension as most are ridged with a slightly darker tan or brown. There’s something really special about this important Roseville pattern.

The green shading, with its matte finish, coupled with the soft yellow that transitions to deeper yellow-gold colors play off of the other for a truly visual appeal that brings artistry to new levels. Keep in mind -though these were the two primary hues, you can find Roseville Earlam with shades of blue and brown.  Ferrell knew he was on to something and fortunately for us, there remains a decent amount of Earlam pieces that can be found today – though it’s unlikely anyone who has any part of this collection would ever dream of parting ways with it.

Aside from occasional bevel, or “ridging” efforts, this collection is beautiful because of the simplicity. It’s allowed to be appreciated for those two primary colors – green and yellow – and, of course, the abundance of space in the bowls and vases. Why Ferrell opted to forego the “tried and true” decorative path is not known, but the Roseville Earlam line stands on its own and remains in big demand.

The Fascination of Roseville Pottery Cosmos Pattern

In 1940, the film Rebecca, which starred Laurence Olivier and Joan Fontaine, became an unexpected success. It’s likely because it revealed the darker side of the human condition. There’s one scene in particular where Fontaine’s character, the very young and new wife of Olivier’s Maxim de Winter, has come to live in Manderley, the massive mansion where the first Mrs. De Winter dies. Intimidated by the housekeeper, the bride accidently knocks off the table and breaks a beautiful pottery sculpture. For years, in my mind, the housekeeper became enraged because it’s a Roseville Pottery Cosmos pattern that was destroyed. Of course, there’s no reason to really believe that, it’s just that 1940 was also the year this exceptional Roseville

Roseville Pottery Cosmos

Roseville Pottery Cosmos

pattern was released. No doubt, 1940 was the year for spectacular artistic efforts, whether in film or American art pottery.

Roseville Cosmos offers three base colors, blue, brown and green. While many are drawn to those green hues, blue seems to be the color of choice and has been for many years. It could be the matte appearance or the way the pale flowers look against the blue. For those lucky enough to have a collection that includes all three standard colors, you know well the commanding presence of this particular Roseville pottery line. There’s also a slight bit of mystery associated with Cosmos: nailing down the actual number of shapes can be a challenge. There are some vintage advertisements that make mention of 48 shapes; however, if you plunder the Roseville factory pages, you’ll find 45.

What makes Cosmos so special are the notched elements often found around the rims. They provide an unexpected dimension which shows beautifully when on display. In fact, if you’re just now discovering Cosmos, don’t underestimate the importance of a neutral background. It highlights those notches, as evidenced in this image of a tan pitcher. As a fan of raised decorative elements, there are plenty in this collection. You can see the efforts made by the artists and as far as many are concerned, these are the details that really separate the masterful artists from the novice.

This really is a great line, especially if it’s a versatile collection of shapes you’re looking for. The wall pockets and window boxes seem to always be in demand, but it really comes as no surprise to anyone who adores the Roseville Pottery Cosmos pattern. Don’t forget to check out the Just Art Pottery Pinterest page, like us on Facebook and follow us on Twitter, too.

 

Roseville Raymor

It’s always fascinating to learn about a company’s inner-workings, and especially if an otherwise successful company hits a speed bump. It tells much about the heart of the company: the one who’s making the decisions in order to get it over the speed bump. Roseville Pottery is no different.

During one of those proverbial “speed bumps” in the early 1950s, Roseville Pottery made the decision to introduce a new line to

Roseville Raymor

sort of spruce things up. Instead of sticking with the tried and true combinations of years earlier (something most savvy business owners would do), the decision makers instead elected to introduce a couple of new lines. Enter Roseville Raymor and its young and slightly less traditional artist, Ben Seibel. His efforts included a more expensive glaze, an entirely different manner in which each piece was “power pressed” and more than a few setbacks, especially when it came to expensive repairs to the kiln. In fact, some accounts show that up to 25% of the production efforts during these days were lost because of the mechanical problems.

Still, Seibel remained determined and consistent. He had an image in his mind of how this particular line of pottery would fill a much needed space within Roseville Pottery.  It was all about a contemporary flair. In fact, for me, it’s easier to picture the various artistic efforts from this period into how they would fit into those amazing stages of homes that were so popular on television during that time. The high gloss, the slight tip to abstract and the deep vessels were something you might would find on an old episode of Betwitched or maybe I Dream of Jeanie – right during that television transition from black and white to color. The vibrancy of the blues and greens and even pinks – they’re all remarkable and used in all their glory on these sets. If he felt the heat from the cost of producing Roseville Raymor, it’s a shame because it’s one of the more decorative patterns within the entire Roseville Pottery collection.

A Closer Look at Roseville Earlam

Many collectors of Roseville pottery will hone in on one particular design element and for those who treasure the Roseville Earlam line, that specific element is the simple arts and crafts forms and the quality matte glazes. The subtle colors provide the perfect canvas for light to produce exceptional dimensions; indeed, it looks as though it’s been masterfully shadowed. With just 22 various Earlam shapes, it’s a natural assumption that the artists would have been assertive in their efforts of ensuring it stands out. The most obvious way to accomplish that is via the inclusion of irregular asymmetric efforts or even geometric efforts, similar to what we see in the Roseville Futura lines. That’s not the case, though.

The extent of many of the pieces in this line are little more than open neck or slightly expanded bottom. There’s an absence of

Roseville Pottery Earlam Blue Green Handled Vase

floral motifs, animals, people or anything else, for that matter. Some offer handles, but almost always they’re placed near the top of the vase or pots. That’s the beauty of it: simple and clean served the purposes nicely.

The Earlam line also offers several console bowls and strawberry pots – with one even offering a saucer. With the exception of the occasional candlestick pairs and umbrella stands, the majority of the shapes are vases and bowls. The one unlikely – though beautiful – inclusion is the hanging basket. It comes as no surprise to learn it’s always in high demand.

The green matte against that pale yellow glaze really bodes well with this line, which was introduced in 1930. There’s one important consideration – most pieces from this line had paper labels, and like any other line that had the stickers, when they fall off or are otherwise removed, many assume it’s not authentic. There are some with handwritten markings, but it’s impossible to identify which shapes the writing is more likely to be found.

What’s not at all surprising is the Frank Ferrell influence; remember, he tended to steer clear of the more feminine elements, such as flowers, and preferred a more streamlined presentation. Still, whatever his reasons were, his ability to transform those artistic images in his mind to the potter’s will is exactly what makes this line of Roseville pottery so spectacular.

The Vast Roseville Futura Art Deco Line

What’s not to love about what is arguably the most versatile Roseville Pottery pattern.  Roseville Futura is all about the art deco style, complete with sharp lines, dimension and extraordinary color choices. Considered a middle period line, Futura was introduced in 1928 and really put Roseville  in a new light.

Remember, both Roseville Carnelian and Roseville Rosecraft were introduced just two years earlier. While both of these arts and crafts patterns have their own draw and remain popular with collectors today, they also seemed to set the stage for what was coming. Rosecraft’s primary colors were brown and green and had only 10 shapes. Meanwhile, Carnelian didn’t sell well and the majority of any unsold pieces were pulled and re-glazed as the Carnelian II pattern.

And then the curtain was raised for Roseville Futura

Roseville Pottery Futura Spittoon Vase 403-7

. Think of a color – any color – Futura offers it. No “one-hue color” with this line, you’re bound to find those deeper greens that are stunning under a heavy gloss, those moss greens that are ideal for detailing and it’s the same with all of the colors.

There are 78 Futura shapes and most are marked with paper labels (don’t forget, those paper labels are likely to have been lost through the years, which means many would be unmarked) with a few that offer hand written shape numbers.

Futura made impressive strides in its heyday and the potential was there for a long run, but like all things in the late 1920s, what “was before” rarely “was after” the stock market crash. Futura was dealt an unfair fate. Even after some recovery, the mindsets of people were raw with all too vivid memories of poverty, hunger and fear. The collective priority of a nation shifted. For many collectors who own any Futura pieces, there’s a certain realization. These pieces were likely made by artists who were confident in the future and purchased by consumers who weren’t yet worried about the possibility of what lied ahead. Regardless of the motivation for collectors, there’s such beauty and detailing to every piece from the Roseville Futura Line.

Here’s a list of all Roseville Futura pieces:

Bowl   

187-8 tan            Balloons Bowl

187-8 gray         Balloons Bowl

188-8 tan            Aztec Bowl

188-8 gray         Aztec Bowl

189-4                   Sand Toy

190-3                   Blue Box

191-8                    Square Box

194-5                   Little Flying Saucer or “Ashtray”

195-10                 Flying Saucer

196-12 tan          Sailboat

196 12 gray        Sailboat

197-6                    Half Egg

198-5                    Hibachi

Candle Holder, pr     

1072-4                Aztec Ladies

1073-4                Candlesticks with Leaves

1075-4                Flying Saucer Candlesticks

Flower Frog   

15-2.5                  Little Round Frog

15-3.5                  Big Round Frog

Hanging Basket         

344-5 tan           Little Hanging Basket

344-5 gray        Little Hanging Basket

344-6 tan           Big Hanging Basket

344-6 gray        Big Hanging Basket

Jardiniere      

616-6 tan            Jardiniere

616-6 gray         Jardiniere

616-7 tan            Jardiniere

616-7 gray         Jardiniere

616-8 tan            Jardiniere

616-8 gray         Jardiniere

616-9 tan            Jardiniere

616-10 tan         Jardiniere

616-10 gray      Jardiniere & Pedestal

Planter           

81-5                      Blue Sunray

82-6                      Blue Fan

85-4                      2 Pole Pink Pillow Vase

Vase   

Roseville Pottery Futura Space Capsule Vase 432-10

380-6                   Torch

381-6                    Beer Mug

382-7                    Telescope

383-8                    Little Blue Triangle

384-8                    Ball Bottle

385-8                    Pleated Star

386-8 pink          Jukebox

386-8 brns          Jukebox

387-7 gray          Bamboo Leaf Ball

387-7 blue          Bamboo Leaf Ball

388-9                    Big Blue Triangle

389-9                    Emerald Urn

390-10 org Bud Christmas Tree

390-10 blu Bud Christmas Tree

391-10                  Black Flame

392-10                  Shooting Star

393-12                  Four Ball Vase

394-12                  Bomb

395-10                  Stepped Urn

396-5                     Chalice

Roseville Pottery Futura Four Ball Vase 393-12

397-6                     Square Cone

398-6                     Green Twist

399-7                     Red Vee

400-7 tan            Ostrich Egg

400-7 p&g          Ostrich Egg

401-8                    Cone

402-8                    Milk Carton

403-7                    Spittoon

404-8 blue          Balloons Globe

404-8 grn            Balloons Globe

405-7                    Spaceship

406-8                    Beehive

407-9                    Green Fan

408-10                 Seagull

409-9                    Football Urn

410-12                  Table Leg

411-14                  Arches

412-9                    Tank

421-5                    Brown Stump

422-6                    Two Pole Bud Vase

423-6                    Tombstone

424-7                    Stepped Egg

425-8                    Hexagon Twist

426-8                    Winged Vase

427-8                    Mauve Thistle

428-8                    Egg with Leaves

429-9                    Purple Crocus

430-9                    Chinese Pillow

431-10                  Falling Bullet

432-10                  Space Capsule

433-10                  Pine Cone

434-10                  Michelin Man

435-10                  Elephant Leg

436-12                  Chinese Bronze

437-12                  Weeping Tulip

438-15                  Tall Teasel

Wall Pocket   

1261-8 tan           Wall Pocket

1261-8 gra           Wall Pocket

Window Box 

376-15                  Window Box

Roseville Creamware

Ah – the Roseville Creamware line. This is definitely one of those collections that you’ll spend your life searching for because you’re so drawn to it or it will be one you’ll steer clear of – love it or strongly dislike it.

Roseville Pottery Creamware

Maybe one of the reasons this is, first, one of the more versatile Roseville design lines, but more importantly, not a favorite among some collectors is because of the decals. Some thought they were being shortchanged with this collection, but once you consider the times, it becomes clear as to why the pottery company incorporated these less-expensive decals. Production costs were always in the forefront and consumers were watching their funds closely.

There often wasn’t enough in the budget for decorative pieces and when there were, it had better be an affordable venture, or the consumer of the day would walk right on by. This, coupled with the end of the so-called Arts & Crafts era, proved to be a challenge for the art industry as a whole and certainly those in art pottery.

In the early 1900s, the Roseville Creamware was unveiled, complete with its decals. There were floral patterns, people – sometimes animated, messaging (several fraternal societies used Creamware for coffee mugs, complete with the frat’s branding – and an extensive line called Juvenile.

If you can get past the absence of bold artistic efforts and rich color hues, Creamware really is a lovely collection; unfortunately, anyone who agrees often does so as an afterthought. It’s just not one of those lines that catch your eye. Then there are those that just look misplaced.

There is a rather interesting design – one of those that look out of place. The Creamware chamber pot throws you for a loop. First, it’s heavily decorated on the outside with “Novelty Steins” – mostly kids. But when you lift the lid, many discover this eye painted in the center of the pot. It’s really remarkable as it looks quite real, much the way a 3-D eye would appear in a more modern setting. Some of those pots also have a message: “Wash me out and keep me clean and I won’t tell what I have seen.”

The Juvenile pieces almost always have decals of children in various ages. Some offer up nursery rhymes as well. Even though it was heavily produced for quite some time, it is considered a valuable line and one that’s highly sought after.

 

Holiday Decor: Roseville Bushberry, Roseville Clemantis

It’s that time of year again – and for many of us, it’s what makes the rest of the year worth the wait. Maybe that’s a bit dramatic, but still, it really is an exciting time for American art pottery collectors. For me, it’s the perfect time to beautifully include my art pottery into my holiday decor. With my niece, who’s now shown an interest in what I love so dearly, it’s certainly that much more special. While I don’t have an entire collection of any Roseville pattern, I do adore each piece I do own – it all has a story.

This year, I’ve already decided on what I’ll be using as my centerpiece for both Thanksgiving and Christmas. If you’re into “holiday mode”, and wondering what you can do this year to add to the seasonal beauty, check out a few of my personal favorites – they may become yours too.

Roseville Bushberry

This glorious pattern is considered late period, as it made its debut in 1941. With the primary colors of blue, green and orange, they provide that rich color combination that’s perfect for the holidays. There remains some debate, friendly debate, mind you – but debate nonetheless on how many shapes were included. The advertisements of the day tout 64; however, the factory stock pages only show 61. With a growing movement that makes the Roseville Bushberry pattern more valuable, it’s finding a new popularity – which is quite impressive considering it’s already a favorite among many Roseville collectors.

While some people don’t believe in making their Roseville pottery into useful vessels on their dinner tables, it’s just too hard for me to resist. While I would never put food in any of my pottery, I do like using the Roseville Pottery Bushberry Blue Bowl, which you can see here, for little non-food uses. Think toothpicks or even individually wrapped mints. Tip: Try to keep them out of reach of little hands – but understand if you’re a lone pottery lover, your guests may not understand your efforts of keeping them out of little hands.

Roseville Clemantis

Roseville Clemantis is another beautiful choice for the holidays. It too is considered a late period pattern and was released just three years after Bushberry. It’s the rich brown, blue and green color combinations that make this one a great choice – plus the red flowers remind you of Chrysanthemums, which, of course, is the traditional flower for Christmas. These are beautiful choices for holding dried flowers and make a spectacular centerpiece. Tip: I wouldn’t encourage (in fact, I discourage) adding live flowers which will require water in the vessel. It’s just a safety precaution I take.

There are several vases in this pattern – which is why they make great centerpieces. Consider adding matching dinner napkins (I use gold because of the centers in the flowers on my vases).

Of course, these are just a few ideas. Are you considering incorporating your Roseville Pottery? We’d love to hear about it! Leave us a comment or visit our Facebook page and our Just Art Pottery Roseville Pottery Facebook page. Photos are always great, too!

 

Passing on the Roseville Pottery Appreciation

I never thought I’d look at people younger than me and think of them in terms of the “younger generation”. That’s what

Roseville Azurean

grandparents do! But, after hanging out with my best friend’s sixteen year-old daughter this weekend, I’m beginning to differentiate the generations.

After getting completely flustered with only half of her attention for the most part of the afternoon (those pesky cells and their texting features!), I finally said, “OK, sunshine…here’s what we’re going to do. Put that phone away and let me show you a few things that you just might appreciate one day.” Of course, that was met with a roll of the eyes and a reluctant and rather drawn out “OK”.

I pointed to a few pieces of my favorite Roseville Pottery patterns. “What do you see, Sam?” After a pause, she said, “I don’t know. A bowl with a bunch of holes in the top of it.” Taking a deep breath and resisting the urge to roll my own eyes, I began explaining to her what a flower frog is. I explained how they’ve traditionally been used to hold flower arrangements in place. Before long, I had her attention and began telling her different “Roseville stories”.

I showed her a few wall pockets I have arranged on my living room wall. She asked what purpose they served. I think her exact words were, “Yeah, it’s pretty. But what does it do?” She’s a lovely girl who appreciates lovely jewelry, so I used that to my benefit. I said, “Wouldn’t this be pretty hanging on the wall just above your jewelry box to hold the rings you wear every day?” She particularly liked the Roseville Freesia.

From there, we moved on the different glazes and beveling efforts that really set Roseville apart. I explained to her what a jardiniere and pedestal were and before long we were on the Just Art Pottery website going over window boxes, vases and candle holders.

Two hours later, she had sweet talked me out of one of my favorite wall pockets and had an understanding of the importance of American art pottery. I wasn’t the least bit surprised when she announced Roseville Azurean is her new favorite. That kid loves blue. Her bedroom is blue, blue is the primary color of the high school she attends and I have a strong sense that I’m going to be investing in pieces from this beautiful line for birthdays and Christmas – and I couldn’t be happier.

What was most important, though, is I started out with a typical teen who could care less about a flower frog and by the time it was over, texting was the last thing on her mind and she walked away with the seed planted and a new appreciation for art – specifically, Roseville pottery. Will this be an everyday thing with her? Of course not. What I hope, though, is that it will encourage her to broaden her horizons, develop her own passion for the real beauty in the world and hopefully, serve as something that she equates to time spent with me when she’s older.

Roseville Pottery Trivia

Think you know everything there is to know about Roseville Pottery? It’s often the details that get lost in our minds. For instance, did you know Roseville Pottery’s first line was Rozane? And did you know it was developed to keep pace with two competing lines, Weller’s Louwelsa and Owen Pottery’s Utopian?

Roseville Pottery, based out of Zanesville, Ohio, had to compete with at least twelve more American art potteries within Zanesville. Still, its business model, ability to recruit some of the best known artists and commitment to quality was the driving force behind its reputation.

Roseville Pottery’s incorporation papers were filed in Zanesville on January 4, 1892. Among those signing them were J.F. Weaver, Thomas Brown, G. Young, Charles Allison and L Kildow. A depression during the 1890s resulted in Roseville Pottery being forced out of business.

As it was seeking to regroup, the company decided to put its wares in A&P grocery stores – it proved quite successful, too.

These days, we’re accustomed to marketing efforts by companies via Facebook and email. While technological opportunities didn’t exist during Roseville Pottery’s heyday, it did have a familiar marketing plan. A brochure from 1905 offered customers a free Rozane paperweight that would be a part of a customer’s first shipment – but only if the customer provided at least three names of friends, neighbors and family members. There is one interesting statement in this particular ad that states the company only wanted those prospects “whose purses might permit them to purchase Rozane”. That’s not common in today’s contemporary ads. We never hear a salesman say, “Give me the names of those whose credit can pass”.

Sometimes, a trip down memory lane is all that’s needed to remind us why we appreciate the beautiful American art pottery that was so carefully created more than one one hundred years ago. With the rich history serving as the foundation, Roseville Pottery provides a truly inspirational story.