A Closer Look at Roseville Earlam

Many collectors of Roseville pottery will hone in on one particular design element and for those who treasure the Roseville Earlam line, that specific element is the simple arts and crafts forms and the quality matte glazes. The subtle colors provide the perfect canvas for light to produce exceptional dimensions; indeed, it looks as though it’s been masterfully shadowed. With just 22 various Earlam shapes, it’s a natural assumption that the artists would have been assertive in their efforts of ensuring it stands out. The most obvious way to accomplish that is via the inclusion of irregular asymmetric efforts or even geometric efforts, similar to what we see in the Roseville Futura lines. That’s not the case, though.

The extent of many of the pieces in this line are little more than open neck or slightly expanded bottom. There’s an absence of

Roseville Pottery Earlam Blue Green Handled Vase

floral motifs, animals, people or anything else, for that matter. Some offer handles, but almost always they’re placed near the top of the vase or pots. That’s the beauty of it: simple and clean served the purposes nicely.

The Earlam line also offers several console bowls and strawberry pots – with one even offering a saucer. With the exception of the occasional candlestick pairs and umbrella stands, the majority of the shapes are vases and bowls. The one unlikely – though beautiful – inclusion is the hanging basket. It comes as no surprise to learn it’s always in high demand.

The green matte against that pale yellow glaze really bodes well with this line, which was introduced in 1930. There’s one important consideration – most pieces from this line had paper labels, and like any other line that had the stickers, when they fall off or are otherwise removed, many assume it’s not authentic. There are some with handwritten markings, but it’s impossible to identify which shapes the writing is more likely to be found.

What’s not at all surprising is the Frank Ferrell influence; remember, he tended to steer clear of the more feminine elements, such as flowers, and preferred a more streamlined presentation. Still, whatever his reasons were, his ability to transform those artistic images in his mind to the potter’s will is exactly what makes this line of Roseville pottery so spectacular.